Meet the Bull team! Deafinitely Theatre is thrilled to announce the cast for our autumn production Bull! Watch the video and read ahead to find out who will be part of the show and a bit more about their work! synopsis Who gets to stay?Who is pushed out?And who decides?Four colleagues sit in a meeting room. Jobs are on the line.The rules are unspoken, but everyone knows them. Bull is a strained and unsettling examination of workplace bullying, power and survival. As pressure builds, alliances shift and cruelty surfaces, exposing a system where fear thrives and empathy disappears. Sharp, darkly funny and deeply uncomfortable, Bull lays bare the human cost of a working culture shaped by competition, hierarchy and silence. How far will people go to protect themselves? This is Deafinitely Theatre’s second adaptation of a play by Mike Bartlett, following the Off West End Award-winning, critically acclaimed and sold-out production of Contractions in 2017. Bull is presented in the company’s distinctive bilingual style, combining British Sign Language and creative captions and is directed by Deafinitely’s award-winning Artistic Director Paula Garfield MBE. “It’s not personal. It’s just business.” book your tickets! meet our cast! Ciaran O'Breen Ciaran is an actor, workshop facilitator and BSL guide from Bristol. He was a finalist for an Offie award in 2025. Previous Deafinitely Theatre credits include: Can Bears Ski? and Getting There. Theatre credits: Wonder Boy (PW Productions/ Bristol Old Vic), Lord of The Flies (Leeds Playhouse, Belgrade Theatre Coventry & Rose Theatre Kingston); Hansel & Gretel (PaddleBoat Theatre); Galwad (National Theatre Wales/ S4C/ Sky Arts); Flood (Theatre Temoin); Red (Polka Theatre), The Story of Guts (Bristol Old Vic’s Made in Bristol) and The Hunchback of Notre Dame (National Youth Musical Theatre). Research & Development: Eva (Ad Infinitum), The Little Prince (D-Live), and How High is Up (Fingersmiths). Jasmine Whipps Jasmine Whipps (Jazzy) is a UK-based deaf content creator, presenter, actor, and advocate for deaf awareness. With experience across television, commercial campaigns, and social media, she is passionate about working with brands to promote accessibility and raise deaf awareness. She has worked as a TV presenter for OMGenius and also on the See Hear on Tour series. Jazzy trained with the National Youth Theatre at Rose Bruford College and completed the Access to Acting Course at RADA in 2022. Her acting credits include Risking Money: A Romance Scam for Lloyds Bank Academy, Green Grass Project, and The Vagina Monologues with Deafinitely Theatre. Danny Lee Danny Lee is a passionate character actor and drag performer based in Essex. His acting and performing credits include the Edinburgh Fringe Festival (2025), DeafFab Masquerade Ball (2025), and Deafinitely Youth Theatre’s Shoe Box (2026). Bull is his professional acting debut. David Sands David Sands began his acting career in 2003 with a leading role in the BBC short film called Granddad. He then made his professional stage debut in a touring production of On Blindness, starting at the Soho Theatre. David has appeared in numerous theatre and screen productions, including the BBC's Casualty and Definitely Theatre's productions of Love's Labour's Lost and A Midsummer Night's Dream (as Nick Bottom) at Shakespeare's Globe. He starred in Lumo TV's sitcom Small World as Chris Baker and embarked on a solo stage tour as Chris Baker. David then wrote a Lumo TV film called The Chris Baker Show: How to Get Rich. David is also a stand-up comedian, performing gigs for non-deaf audiences without using BSL or an interpreter at several comedy clubs. He also delivers gigs in BSL or International Sign for deaf audiences globally. He occasionally serves as an acting coach and BSL consultant. meet our creative team! Paula Garfield Paula Garfield, MBE is the Artistic Director of Deafinitely Theatre as well as an actor, director and field creative leader. In 2002, she established Deafinitely Theatre with an aim to create more opportunities for deaf actors and creatives in theatre industry. Paula has produced and directed many plays. Her productions for Deafinitely Theatre include: Love’s Labour’s Lost as part of Deafinitely’s 10th anniversary celebrations, and A Midsummer Night’s Dream with Shakespeare’s Globe, Contractions (2017), 4.48 Psychosis (2019), Everyday (2023), The Vagina Monologues (2023) as well as The Vagina Monologues Revival in 2025, The Promise (2024), and Barrier(s) (2025). Raffie Julien Raffie Julien is a dynamic deaf actor, dancer, BSL consultant, and movement director from Manchester. Her work spans stage and screen, where she brings powerful storytelling, physical precision, and an unmistakable presence. As a creative, Raffie’s credits include Movement Director on Barrier(s) (Deafinitely Theatre), Movement Director and BSL Consultant on Stig (Grosvenor Park Open Air Theatre), BSL Director on The Hunchback of Notre Dame (NYMT) and BSL Presenter/Narrator for Josephine (The Egg, Bath). Screen credits include Ariana in A Hand Rises (A Hand Rises Ltd), Jade in Coffee Morning Club (Mutt and Jeff Pictures), Amy in Trinity (Tilt Films), Esther in Jerk (RoughCut TV) and Heather in Clink (Five Star). In 2022, Raffie was honoured with the Deaffest Best Actress Award for her moving performance in the short film Lost, Taken, Murdered. Paul Burgess Paul Burgess is a set, costume and video designer. Since training at Motley, he has designed for venues around the UK and beyond, including: Glasgow Citizens; Manchester Royal Exchange; Shakespeare’s Globe, London; Prthvi, Mumbai; Pakistan National Council of Arts, Islamabad; and the Black Box Theatre, Hanoi. His previous projects for Deafinitely Theatre include Grounded, A Midsummer Night’s Dream, 4.48 Psychosis, The Promise and Barrier(s), as well as regularly working with Deafinitely Youth Theatre. He is a co-director of Ecostage, the sustainability lead for the Society of British Theatre Designers, and artistic director of Daedalus Theatre Company. Jessie Addinall Jessie is a theatrical lighting designer from Hull. Their training is rooted in years of hands-on experience as a technician and theatre maker. Some of their credits include: REP Rising (Birmingham Rep), Then Come The Nightjars (Theatre Royal Bury St Edmunds), Children Of The Night (Mad Friday Productions), Oliver Twist (Hull Truck Theatre), Don’t Look Now (The New Wolsey & Salisbury Playhouse), Di and Viv and Rose (Theatre by The Lake & Queens Theatre Hornchurch), Bitch Boxer (Watford Palace Theatre), The Borrowers (Hull Truck), Steel (Theatre by The Lake), Hospital Doors (Next Door But One), Baby He Loves You (Middle Child), Snowmen (The Herd), Pinocchio (Hull Truck), These Majestic Creatures (Stephen Joseph Theatre), We Could All Be Perfect (Sheffield Theatres), Modest (Middle Child/Milk Presents), Brief Encounter (The New Wolsey & Salisbury Playhouse), Ladies Day (The New Vic & The Octagon Theatre), The Whispering Jungle (Concrete Youth), The Beauty Queen of Leenane (Hull Truck/Queens Theatre Hornchurch), The Canary and The Crow (Middle Child) Associate Credits Include: The Crucible (The Gaiety Theatre), Animal Farm (The Octagon), Dogs (Liverpool Playhouse), 71 Coltman Street (Hull Truck Theatre), Shedding a Skin (SOHO Theatre). Ellie Isherwood Ellie Isherwood is a sound designer, composer, actor / musician and synth-pop artist (BYFYN). Her "dynamic" and “quietly ground breaking” work spans musicals and straight plays alike, embracing an array of forms from site-specific theatre to immersive binaural audio experiences. This year, Ellie was made the Associate Artist for The New Wolsey Theatre and was selected as a finalist for the prestigious Stiles and Drewe Best New Song Prize with her song “Nice Girls Never Win." from the upcoming new musical, "VAMP". Recent work includes performance and composition for the stage adaptation of Lemony Snicket’s "The Dark" and composition and sound design for "Dweeb-a-mania" at Polka Theatre. Other recent credits for theatre include, Alice's Adventures in Wonderland (The Orange Tree Theatre); Disco Inferno (National Youth Theatre); The Sleep Show (UK Tour); Cartoonopolis (Pleasance); The Gel (New Diorama) The Intrusion (UK Tour); Tender (The Bush Theatre); The Fir Tree (Arts Depot); Son of a Bitch (Summerhall, Edinburgh Fringe); The Odyssey (The Unicorn); The Light Princess (The Albany, Deptford / ARC - Stockton Arts Centre); The Glass Ceiling Beneath the Stars (Pleasance); and Ruby Wax: I'm Not As Well As I Thought I Was (U.K. Tour). Ben Glover Ben Glover, a deaf video designer and creative captioner, has worked extensively across the West End, Shakespeare’s Globe, The Royal Opera House, The Royal Albert Hall and numerous international festivals and venues. Credits include: The Promise (Deafinitely Theatre), Little Shop of Horrors (Northern Stage/Derby Theatre), A Single Man (Factory International), Antony and Cleopatra (Shakespeare Globe), Night Bloom (Spectroscope), Lived Fiction (Stopgap), The Rainbow (Perth Theatre), Marx in London (Scottish Opera), High Times and Dirty Monsters (20 Stories High), A Spectacle of Herself (Contra Productions), Best of Enemies (Noël Coward Theatre), Tubular Bells 50th Anniversary Concert Tour, Run Rebel (Pilot Theatre), NOISE (Nua Dance), The Paradis Files (Graeae Theatre) and RED (Polka Theatre). Manage Cookie Preferences